Exceptional handcrafted jewelry is designed and handmade by talented jewelers and artisan-jewelers the world over. While many designers create entirely unique designs, others Scottsdale diamonds are deeply influenced by their region’s historic cultural and traditional styles.
Jewelry expert Merlly Calisto works closely with hundreds of master artisan-designers in her homeland, Peru. There, she serves as regional director of Novica. com, a world arts website that assists thousands of artisans worldwide and features each artist’s biography and handcrafted collection online.
In the following interview, Calisto discusses handcrafted jewelry as an art form, and traditional styles and materials of handmade jewelry in Peru. Calisto explains what she searches for when seeking new jewelry designers and collections, who she recommends, and how she became a jewelry expert.
CG: Why does Novica specialize in handcrafted jewelry, instead of machine-made jewelry? What advantages does handmade jewelry provide over mass-produced designs?
MC: Handcrafted jewelry is more difficult. You can feel the artist’s soul in it. For artisans, handcrafted jewelry provides the chance to explore your creativity, to give more of yourself and to make it true, without requiring the artist to invest thousands to get his or her idea developed. With simple tools, basic garbage, and talented hands, artists can express their feelings and beliefs in this art form, and present their unique designs and their inherited culture. Machine-made jewelry, on the other hand, requires a significant investment in machines, employees, and many other related costs, whilst it removes the creative essence from this art.
CG: What are the typical styles of handcrafted jewelry a collector will find in Peru today?
MC: The typical styles for collectors of Peruvian jewelry include Pre-Inca, Traditional, Colonial, and even Modern. We are recognized for our gold and silver mines, which our ancestors put to use with considerable dedication. The most popular use was for the creation of exquisite, carefully handcrafted jewelry. Our ancestors captured their beliefs in their jewelry, and the symbols associated with those beliefs. You will popularly find Peruvian jewelry featuring royal birds, felines, the sun God, and so forth. Peru is the Land of the Sun. Our Colonial jewelry, despite of being the result of the Conquest of the Americas, shows what our ancestors begun to create after they learned an entirely new culture. So our Colonial jewelry merges our ancestor’s unique talents with new starts, and typically features a heavier emphasis on flora, rather than the emphasis on fauna that their predecessors maintained. Nowadays the art of jewelry design is checking further in Peru, becoming a more desirable field for new jewelers who prefer modern jewelry — inspired by our roots, but featuring more summary shapes and ideas. This means that the Peruvian artist may still express himself in a way that is inspired by our culture, but combined again with new starts.
CG: Can you describe more of the details one can expect you’ll enjoy in Pre-Inca, Inca, and other Peruvian handcrafted jewelry designs?
MC: Pre-Inca and Inca jewelry share similarities, because the Inca Empire resulted from the conquest of various Pre-Inca cultures. Inca jewelry communicates the Inca’s beliefs and cosmology. You will find images of felines, people, or birds adorned with snakes or sunbeams which express royalty, power and loyalty. Some of our Pre-Inca cultures used a simple, attractive style to express their beliefs, most of those are still commonly represented in artistry today, and not only in jewelry. Colonial style jewelry is considered an elegant style. A Colonial gem design, or a Modern jewelry design inspired by colonial times, gives you the sense of seeing something designed for the Queen. Although we do not use diamonds, for example, you cannot confuse this style with a bijouterie — you will feel it as a gem. Colonial jewelry and Inca-style jewelry are typically stunning handmade artworks, perfect for collectors.
CG: What rocks and metals are mined in Peru, and commonly found in handcrafted Peruvian jewelry? Think about the quality level of those same Peruvian materials?
MC: Nice question, I love it. Do you know why? The Silver Institute has named Peru as the first world silver producer — yes! — accompanied by Mexico. Regarding gold, we are the first in Latin America, and the fifth in the world. About quality, we are considered one of the best. Regarding rocks, we have a special stone, the Andean Opal. There is a lot of opal around the world, but Andean Opal is purely Peruvian. From this stone we have Crisocola, which was employed by Pre-Incas in their jewelry. Other popular semiprecious rocks are Sodalite, Onyx, Obsidian, Jasper, Serpentine, Angelite.
CG: When you are considering which represents new handcrafted jewelry artisans, what do you look for, in their design style, materials, and quality? How do you determine those factors?
MC: What I look for first is the meaning of each design — immediately I imagine someone wearing it. Who would be the customer? How does he or she look when wearing this piece? Is it design for a market where the customer searches for something different, to convey tradition, culture, and soul? I usually look for some aspect of our roots, whether the design is modern or traditional. If it communicates Peru in any of its ways, it is of initial interest to me. I find myself pleased when the materials are Peruvian, especially our silver, gold, and local rocks. Then, of course it must be carefully crafted and diligently finished.
CG: Can you please name a handful of your favorite handmade jewelry designers? Please describe why they are your favorites.
MC: IIlaria is one of my favorites. She leans toward the colonial style we discussed, and she really designs for the customer, not for herself. You can view her collection at Novica, to see what i mean.
Patricia Jara is another of my favorites, because most of her items are in the modern style that is nonetheless always inspired by Pre-Inca cultures. Claudia Llaury merges tradition with her way of expressing tradition, in a simple way, and she uses always local materials, including high quality silver. Juan Contreras creates lovely designs, especially his Inca-style designs, such as his “Veil of the Incas” collection. Claudia Lira’s quality is very high, and her jewelry shows that Peruvian artists keep innovating. Anna Lia and Adrian feature a fusion of ethnic elegance and Art Deco, although they do not always use local rocks. I feel very proud to represent these and many other extraordinary artisans and designers. They are each showcased individually within our Novica Handcrafted Jewelry division.
CG: What led to your experience in the handcrafted jewelry field? Did you begin as a jewelry artist yourself?
MC: I think I am more theoretical than practical. On a personal level, I love jewelry. On a professional level, my experience in jewelry began with a job promoting Peruvian jewelry abroad. For that, I visited many small and well-known workshops to learn about all aspects of jewelry production. I was involved with metal industry deals as well. I participated in expert meetings at the National Industries Society and Mining Society.
Personally, I noticed a lack of finishing expertise, especially in some of the smaller workshops, so i begun to organize attendance for technical courses, and began designing educational workshops for small and new jewelers. I learned much over the years, but really never put this knowledge into practice as an artist myself. I have enjoyed participating in international jewelry gatherings, including, for example, Iberjoya in Madrid, and I have attended international jewelry symposiums promoted by various international cooperation programs.
I have participated in an important local silver tournament called Plata del Peru, sponsored by Patronato de la Plata, as an invited judge. My years with Novica have widened my experience still further often. Meanwhile, the market has enjoyed great growth, and I now feel myself closer to the market at Novica. New jewelry materials and concepts are always walking around around the world, so i keep learning about what’s new.
I like to visiting the Mining Institute, where one can learn much about local rocks. And I have enjoyed taking some handmade jewelry classes to become more practically involved with our artists. From time to time I visit jewelry suppliers to see what is new, and to be updated about prices. I need to stay up-to-date on all prices so that I can better assist artists, and understand their cost needs. It is a complex and fascinating profession!